Kondinin Yeerakine Rock Watertank Mural - Tribute to the Anzacs or the Wheatbelt by Jacob Butler

Every year Kondinin holds an Anzac Dawn Service that attracts hundreds of people to Yeerakine Rock to watch the sunrise and pay their respects. To accompany the service, a Light Horse Monument was erected in 2015, the 100th anniversary of Gallipoli, to symbolise the commitment & sacrifices of all serving personnel who came from the wheatbelt region.

The mural is painted on the water tank alongside the monument and tells the story of a soldier leaving his family during the drought of 1914 to sail from Fremantle to serve as a soldier in the Great War, his life as a soldier & his eventual return home.

Painting the mural proved to be quite challenging due to the constant strong winds and heat, which don’t mix well with spray paint! The spray-can featured in the mural video was one of the many that randomly exploded due to the high temperatures.

The biggest challenge was condensing the madness of World War 1 into a handful of images. The imagery painted came about after research and consultation with the local community members and historians. It’s impossible to include every angle and story, so here are few insights:

First settlers came to the Kondinin area in 1910 & in the years prior to World War I the pioneer farmers toiled to clear their land & were looking forward to harvesting their small acreages sown. However, these early farmers were struck by the misfortune of a drought (one of the driest ever recorded) and the advent of the war in close succession.

Due to the disastrous drought in the season of 1913-1914 and the advent of World War One, land development around Kondinin & other wheatbelt areas slowed down. Many of the early residents joined the armed forces and labour became scarce. Some of those who enlisted were able to make arrangements for somebody to look after their properties during their absence, but others not being able to arrange this, simply walked off their properties to answer the call to arms.

Two thirds of Australians that answered the call to arms in World War I became casualties and this had a long-lasting effect on them, their families and society.

 

Many soldiers of the Wheatbelt left their families at their newly established farms and went straight to the Black Boy Hill Training Camp (near Greenmount), before departing to war from Albany or Fremantle Port. The Sykes brothers (Eustace, Bert and Reg), were one such family. There is a reference to them in the mural where you can see three men boarding at a dock. This is representative of similar family commitments.

Members of the 10th Light Horse Regiment trained at various locations including Guildford, Claremont Showground & Rockingham before embarking for Egypt.

The Australian Light Horse were a skilled formation of mounted infantry. The men fought at Gallipoli (without their horses) and mostly served in Egypt and the Middle East. The unit contributed to the Allied victory against the Ottoman Empire in the Sinai and Palestine Campaign.

When attempting to depict the Light Horseman, I was fixated on the bravery and toughness that characterized these men as well as the bond that they had with their horses.

I digested movies, library archives, books and online journals for inspiration in order to depict Light Horse men accurately. A lot of the time the imagery that I came across contained no context or background information.

 What I found particularly sad about the Light Horse Regiment in World War 1 was that none of the horses who accompanied the soldiers returned home. The horses would make the journey to war from farms or other locations. Surviving hell, their fate would be a cruel death in a foreign land. Knowing that the horses would be sold off to various Arab people & poorly cared for, some soldiers would choose to walk their horses into the desert, rifle in hand to offer them a better end to their life. I wanted to pay tribute to the special bond that the soldiers had with their horses.

I was stunned after being contacted by the family of the soldier depicted with his horse, as I since found out the soldier depicted was former President and Troop Sergeant Luke Dowell of the 7th Light Horse Gudagai Troop. Luke’s family was grateful that I came across his image and recognised his strong connection to his horse and portrayed it within the mural.

The Great War was said to be the war that ends all wars which is described in Eric Bogle’s song Green Fields of France. The lyrics of the song are depicted written by a soldier in reflection after witnessing the atrocities of the war.

It is estimated that 1000 to 1300 indigenous soldiers served in the Australian Imperial Force during the First World War, of whom around 250 to 300 made the ultimate sacrifice.  Pictured in the mural is a tribute to indigenous soldier “Lewis Beaky Collard” who became a runner in the front lines in France in WW1, 1914. Beaky is pictured leaving behind him the graveyards of Gallipoli. Beaky has relatives living in Kondinin.

Tens of thousands of allied soldiers died on the Gallipoli Peninsular. When Christians, Jews or Indian Muslims died, they were buried, whenever possible either in cemeteries or isolated graves behind the front lines. If they died in battle, they were often left where they died as it was too dangerous to collect their bodies. In one instance, in May, an armistice was organised to bury the dead in no man’s land. These men were generally buried in mass graves in old trenches or ditches. Men who died on hospital ships were buried at sea. Sikhs and Gurkhas were often cremated. 

Depicted is one of the few that made it home to his farm in the Wheatbelt. Unfortunately for the returned soldiers, life didn't get much easier...

The pioneers who came in or before 1914 no doubt expected to have reasonable security within five or ten years. World War 1 and the drought came upon them before their plans could progress. Conditional Purchase was in operation before the war, and after the war soldiers had blocks reserved for them (Soldier Settlement Scheme). Soldiers returning to their farms or other employment often had injuries & or diseases from their war service, post traumatic stress disorder (at that time titled “shell shock”) & issues relating to reconnecting with family & community.

Some positivity during the war on the home front included the railway arriving during March 1915 & a primary school opening mid - 1917. Post war, existing farms continued being developed & with new farmland opening up & the establishment of businesses, Kondinin’s population grew.

Collie Underground Coal Mining Tribute by Jacob Butler

PART ONE: Collie Underground Coal Miners

Collie Coal Miners-1 2.JPG

Collie Coal has played a vital role in the development of Western Australia. The danger and hard work that the men (and women who supported the family) endured is incredible and not to mention - hard to comprehend in this day and age.

I wanted to pay tribute to the underground coal mining industry in two parts, this is part one:

Central to the painting is a hostler walking out with his pit pony at the end of shift. The painting is referenced from a photo taken at the Bullfinch Coal Mine (Proprietary)Collie in April 1939

I would love to find the identity of these men depicted, attached is the original photograph from the archives. Please share so you can help solve this mystery!


PART TWO

Last week I teamed up with ArtByDestroy to paint part two of the tribute piece for the Underground Coal Miners of Collie. The mural is laid out like a timeline, from the early days (earliest photo from the 1939) dominated by manual-handling up until the introduction of machinery like the bobcat and the Alpine Continuous Miner.

Drop a comment and let me know if you or any of your relatives are pictured in the mural. Painting the mural was a beautiful experience and I'd love to hear more stories about the underground days or details of any of the Collie Miners depicted.

Collie-Cardiff RSL Mural by Jacob Butler

It was an honor to paint the Collie RSL Mural for the recent Collie Art Trail.

When researching for the mural, I was struck with the profound impact that the War had on Collie and it’s people. It has been said that Collie sent more of it’s population to War (on a per capita basis) than any other community in Australia.

Instead of focusing on the devastating side of War, I wanted to create a tribute for the veterans. An uplifting piece that focuses on comraderie, mateship and the loyalty that each soldier had for one another before, during and after the war.

I chose the iconic game of Two-Up as the driver behind the first part of the mural. The game of two-up has been played by Australian Soldiers as far back as WW1, whenever there was a lull in the fighting, soldiers would escape the horrors of war with a friendly game of two-up. The game played an important part in mateship.

The Mural depicts ‘Collie Boys’ from all wars as well as Coal Miners, crowded around a game of Two-Up.

Mining companies in Collie have always fostered great mateship among the miners on and off the work site. During WW1 the Military Mining Corps was formed, to tunnel under enemy trenches. Among the first to enlist were miners from the coalfields of Collie. A total of 21 miners from Collie served in the Mining Corps during WW1, sadly 2 of those soldiers died whilst on active service.

PART ONE

From the street view, left to right.  The first two men depicted are unknown miners from Collie.  The 3rd man sitting is 55630 Robert Hugh Loxton, Vietnam War Veteran. Robert Loxton served with 1st Field Squadron, Royal Australian Engineers.  The 4t…

From the street view, left to right.

The first two men depicted are unknown miners from Collie.

The 3rd man sitting is 55630 Robert Hugh Loxton, Vietnam War Veteran.
Robert Loxton served with 1st Field Squadron, Royal Australian Engineers.

The 4th Man is 5400124 Neil Francis Wood, Korean War Veteran. Neil Wood served with the 3rd Battalion Royal Australian Regiment. Past President of the Collie-Cardiff RSL sub Branch.

The 5th man is Lieutenant George Arthur Lamerton MC, WW1 Veteran. Lt Lamerton was awarded the Military Cross for gallantry during the battle of Bullecourt in May 1917.

George Lamerton was a founding member of WA’s own 11th Infantry Battalion, first ashore at Gallipoli he survived four long years at War before being Killed in Action on the 10th August 1918, during the last major battle of WW1.

The 6th man is 54324 Leslie Thomas Murrell, Vietnam War Veteran. Les Murrell served two tours of duty in Vietnam, one with the Special Air Service (SAS) and the second tour with the Australian Army Training Team Vietnam (AATTV).

The 7th man sitting is WX20337 Thomas Job Bowers, WW2 Veteran. Thomas Bowers served with the 2/2nd Pioneer Battalion in the Middle East and Java.

The 8th man is 3970 Martin O’Meara VC, WW1 Veteran. Martin O’Meara served with the 16th Infantry Battalion.

The 9th man is 1438 Thomas Hugh Sarre MM, WW1 Veteran. Thomas Sarre served with WA’s own 10th Lighthorse Regiment. He was awarded the Military Medal for bravery in September 1918 for actions in Egypt. Past President of the Collie-Cardiff RSL sub Branch.

The 10th man sitting is 5715861 Terrence John Healy, Vietnam War Veteran. Terry Healy served with 96 Transport Platoon.

The two-up spinner in the ring is 5714772 Sydney Alexander Murchison Riley, Vietnam War Veteran. Syd Riley served with the 2nd Battalion Royal Australian Regiment.

Everything depicted in the mural is authentic to each ear, from the World War 2 Ammo Crates to the Vietnam war Cooler boxes and boots. Each portrait was painted from enlistment photos and various press photographs.

The mural was painted over 6 nights, so I could dodge the sharp heat and uneven lighting. Every morning when I’d pack up, I’d see family members or relatives of the Veterans painted, visit the mural.

Some in tears as it would be the first time they would see their family member – a veteran be brought back to life.

Thanks to Graeme and Gary from the RSLW for all of your assistance, look forward to catching up again at the RSLWA for a beer and maybe a game of two-up!

PART TWO

part two.jpg

PART TWO

The RSLWA LOGO was only recently modified in 1990 to include a sailor, soldier, airman and servicewoman. The portraits are of proud, happy servicemen and women including an Aboriginal infantrymen. Collie is believed to be the first place in Western Australia to acknowledge Aboriginal servicemen in a memorial.

The Sailor shown is 2148 Charles George Suckling RAN, WW1 Veteran. Charles Suckling served as a Stoker on board the Australian Submarine AE2. The AE2 was badly damaged of the coast of Gallipoli and subsequently scuttled by her crew. The crew became prisoners of war held by the Turks for the remainder of the war.

The soldier shown is NX43500 Harold West, WW2 Veteran. From NSW Harold has no link to Collie. Harold West was one of many Aboriginal servicemen who have served the nation in all wars. Harold served on the Kokoda Trail in New Guinea. Sadly Harold contracted scrub typhus and died of sickness whilst on Active Service on 26 Nov 1942.

The Airman shown is 415079 Herbert (Bert) Leonard Fuhrmann DFM, WW2 Veteran, Bomber Command England. Bert Fuhrmann was awarded the Distinguished Flying Medal for air actions in April 1943, when he flew his badly damaged Bomber aircraft back to the safety of England. Sadly in July 1943 he was killed in Action when his Lancaster Bomber was shot down over Germany killing all crew.

The nurse shown is WXF34623 Lillian Annie Mumme, WW2 Veteran. Lillian was Nursing Sister with the Australian Army Nursing Service (AANS). Lillian Mumme served with the 2/4th Australian General Hospital in the Middle East during WW2. The record of service rendered by the 2/4 AGH in many battlefields between 1940 and 1945 is second to none.

PART THREE

Ron Miffling

Ron Miffling

Pictured here is portrait of Collie Boy, Ronald Miffling, showing a fellow soldier a photo of his wife and newborn son in Vietnam. The photo was a rushed telegram sent to Ron, two weeks after the birth of his child.
The story was run in newspapers across Australia in August 1967
The depiction represents the sacrifice that service personnel make in war when they leave their loved ones behind.

PART FOUR

Martin Omeara.jpg

Martin O’Meara VC. 3970 Martin O’Meara VC, WW1 Veteran.

Martin O’Meara was awarded the Victoria Cross for actions of valour during the battle of Pozieres in 1916. Martin O’Meara repeatedly entered ‘no man’s land’ whilst under heavy gunshot and shell fire to recue wounded soldiers, he was credited to having saved 25 lives. When Martin O’Meara returned he suffered from shell-shock, or PTSD As we call it now.At the time, the only treatment for PTSD was a straight-jacket, which he was constrained in whilst in Graylands hospital for 17 years before his death.

White peacock painting at the Muscular Dystrophy WA GALA 2017 by Jacob Butler

I Had an amazing night at Muscular Dystrophy WA’s very first Gala in celebration of their 50th anniversary. It was an honour to paint at the event to help raise much needed funds to enrich the lives of Western Australians living with muscular dystrophy and neuromuscular conditions.
I painted a White Peacock. The bird possesses a genetic mutation that stunts its ability to produce the captivating colours the peacock is renowned for.
The bird's genetic flaw is the very reason for it’s striking beauty.

Video by Oliver Oldroyd of Rolling Stills

COMET Care School - Art without barriers workshop by Jacob Butler

 

Over the two months I conducted a series of workshops at Comet Care School as part of an arts grant provided by the City of Joondalup.

Comet School provides an alternative to mainstream school, in which students can complete their education in a flexible, fun and supportive environment.

Instead of using the grant to only paint a mural at the school, I wanted to engage with the students and create the mural with them and for them, over a ten week period.

Each week I would attend the school and encourage the students to come up with ideas for the final mural piece. It didn’t take me long to realise that the students had some great and entertaining ideas, but were also were brimming with talent.

Im not a fan of strict guidelines and certain art styles aren’t for everyone can cause isolation. So during the workshops I incorporated as many styles or methods that I could, to keep things interesting and draw the students into a preferred or undiscovered style. Drawing, painting, Drip painting, dot painting and aerosol all played a role. Whatever was fun and worked, we tried it.

Some days certain students weren’t available, so I kept a group painting of Banjo (standard practise) as a side project for those who wanted to have a go at painting, even if they weren’t apart of the mural project. 

The ideas we came up with for the mural centred around identity and culture. We started off with a loose plan for a final piece but by week eight the plan was scrapped almost entirely as we started to implement dot painting and explore new ideas. Who needs a plan when you have kickass, enthusiastic students at the helm?

One of the highlights for me was learning about dot painting concepts from one of the talented students – Leighton. He taught me a about it's history and inherent symbology, which ended up being the main feature of one of the final pieces.


On the final day Sharon (the co-ordinator) showed the council a powerpoint presentation which included some very exciting outcomes from the workshop:

(taken directly from the powerpoint findings)

Attendance

For the purpose of the project attendance between term 2 prior to delivery and term 3 of students who enagaged were measured.

•       Data for term two, students achieved an attendance of an average of 60%.

•       During the term three up to week five of the project, the attendance had risen to 70%.

•       A total of 43 students had the opportunity to engage in this project

Confidence in engaging with art

•       Five students whom had never previously expressed or demonstrated an interest in Art, are now drawing freely in their art notebook.

Expressed emotions through art

•       A further four students identified they now had the opportunity to express their feeling utilising their art notebooks.

A sense of pride and achievement

•       Many students requested to be photographed using their personal phones proving a sense of pride and achievement.

Peer relationships

•       Students had the opportunity to work with other peers, whom they never previously had the opportunity too. Relationships were built or enhanced


Workshops are one of my passions as it allows me to show others how art as a tool, can break barriers, give confidence, engage creativity and sometimes even give someone a new purpose.

Big shout out to Sharon for all your help and the rest of Comet School for being such legends. Hopefully I'll be back again one day!